When I model, I like to put as much of me as I can into the artist-model relationship – so I like to put talking and/or singing as part of the mix.
Continue reading Poems to Model With (1)
There are two things that I want to stress in working with models, and I think that both are important. I want to recognize people when I have seen them before, and I want to remember them between sessions where they model.
Continue reading Recognize and Remember
Maybe the only impossibility that is real is repetition. The only reality that is not new is newness. At the same time, “novelty” is not new, because doing something to-be-new is “old hat.”
Continue reading Teaching as Delight (3)
I have worked with many subjects, and with many students, from nursery school into graduate school. As I have studied “teaching people,” I have learned that the “who-being-taught” is always more important than the “what” that is being taught to them; and that the one result to look for, in all of us, at every point in the process, is delight.
Continue reading Teaching as Delight (2)
I got my first assignment as a teacher when I graduated from high school at sixteen years old and was asked by my pastor to prepare a ten-year old girl for her first communion. I was scheduled to enter St. Charles Seminary as a college freshman that fall. Maybe this was in some way a “suitability test,”
Continue reading Teaching as Delight
A colleague wrote: “I am not sure what would motivate someone to participate in a workshop program based on modeling for art as the theme.” To me, the theme is more accurately described as “modeling for these artists.”
Continue reading Modeling for These Artists
The third poem is one I especially like to use when posing along with a person I am particularly fond of. I have used this working with several different people in different situations, so the fondness is different each time. The poem is by E.E. Cummings.
Continue reading Poems to Model With (2)
Over the past weeks my wife, Beth, and I have watched a few movies which portrayed relationships of various kinds. Three of these movies are classic triumphs: To Kill a Mocking Bird, with Gregory Peck; John Huston’s exposition of James Joyce’s The Dead, and Humphrey Bogart and Katherine Hepburn in The African Queen.
Continue reading Real Relationships